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  • Nov 22 2008:

    Hollywood cops have had a bad rap on screen, says David Stubbs. But could their corruption, cover-ups and racism be even worse in real life?

  • Nov 22 2008:

    As another "insider" movie satire pulls its punches, John Patterson wonders if we'll ever get a Hollywood tell-all that tells all

  • Q&A

    Nov 22 2008:

    Artist and film-maker Steve McQueen on Miles Davis, the Caribs and the death of his father

  • Nov 21 2008:

    The twentysomething writer of Gus Van Sant's new film Milk interviewed everyone he could find who had known Harvey Milk

  • Nov 21 2008:

    He sang with the greats and was feted by jazz's best-known stars. But what happened to Jackie Paris? Raymond De Felitta tells a story of unfulfilled promise

  • Nov 21 2008:

    What happens when your best efforts are forgotten or ignored? Mike Hodges explains what it's like to make a "lost film"

  • Nov 18 2008:

    The trailer for the Steve Martin sequel reintroduces the unkillable Clouseau, hamburger-mangling accent in tow. Anna Pickard follows the clues and exposes his terrible plot to make comedy icons unfunny

  • Nov 18 2008:

    A string of powerful new Israeli films feature disturbing animation, surreal comedy - and a battle over a lemon tree. Linda Grant reports

  • Public Enemy Number One Nov 16 2008:

    Jason Solomons takes a look at some gritty urban comedies and thrillers that are rejuvenating French cinema

  • Nov 15 2008:

    As a new film about the infamous Red Army Faction relights old fires, Philip Oltermann charts the cultural impact of a revolutionary movement that has long fascinated writers, actors and film-makers

  • Nov 14 2008:

    Peter Lord appraises the work of animation's great lost pioneer, Alexander Shiryaev

  • Nov 14 2008:

    The CIA is often credited with 'advice' on Hollywood films, but no one is truly sure about the extent of its shadowy involvement. Matthew Alford and Robbie Graham investigate

  • Nov 13 2008:

    Reel history: Thandie Newton does an impression of a penguin, and it's hard to substantiate those abortion rumours, but on the whole Oliver Stone's Bush biopic sticks to the facts

  • Nov 12 2008:

    Producer Don Boyd on how the digital age is custom-built for directors with big ideas and tiny budgets

  • A Streetcar Named Desire Nov 8 2008:

    Proudly melodramatic, sentimental, manipulative - Tennessee Williams's plays are showcases for our wants. No wonder so many movie directors have attempted to conquer them. Wyatt Mason celebrates a dramatist who made film a writer's medium

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